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PRODID;X-RICAL-TZSOURCE=TZINFO:-//com.denhaven2/NONSGML ri_cal gem//EN
CALSCALE:GREGORIAN
VERSION:2.0
BEGIN:VEVENT
DTEND;VALUE=DATE-TIME:20220214T105800Z
DTSTART;VALUE=DATE-TIME:20220214T083000Z
DTSTAMP;VALUE=DATE-TIME:20220214T083000Z
UID:anufg.org.au/films/4757
DESCRIPTION:FREE SCREENING PRESENTED IN PARTNERSHIP WITH THE ANU STUDENTS
 ’ ASSOCIATION AS PART OF O-WEEK 2022\n\nFor Peter Parker (Tom Holland)\,
  life has never been worse: the villainous Mysterio has framed him for h
 is death and revealed Peter’s secret identity as Spider-Man to the world
 \, putting everyone he loves at risk. Seeking an extreme solution to reg
 ain his privacy\, he seeks out the help of Doctor Strange (Benedict Cumb
 erbatch) to cast a reality-altering spell that would undo the revelation
 . When the spell goes wrong\, however\, the very fabric of their world i
 s threatened…\n\nTo say more would take away from this hugely entertaini
 ng\, emotional and spectacular blockbuster that brings together elements
  of nearly 20 years of Spider-Man films. Given that it has become one of
  the biggest films in history (no mean feat\, given the ongoing pandemic
 )\, odds are you’ve already seen it – but this is one film that demands 
 to be seen\, applauded\, cheered and enjoyed with others\, so don’t miss
  it!\n\nOscar nominee in 2022 for Best Visual Effects.\n\n\n- 
URL:http://www.anufg.org.au/filminfo/20220214.html#film-4757
SUMMARY:Spider-Man: No Way Home (Free Screening)
LOCATION:ANU Film Group
END:VEVENT
BEGIN:VEVENT
DTEND;VALUE=DATE-TIME:20220217T102200Z
DTSTART;VALUE=DATE-TIME:20220217T083000Z
DTSTAMP;VALUE=DATE-TIME:20220217T083000Z
UID:anufg.org.au/films/4758
DESCRIPTION:This is a film about the man who killed 35 people and wounded
  23 others at Port Arthur in 1996 – but it also isn’t. Its main characte
 r isn’t named\, nor are the shootings ever shown\, but that hasn’t stopp
 ed the film from being condemned as disrespectful to the victims. Fortun
 ately\, just as many argue that cinema should challenge and provoke\, in
  the same way films about the Holocaust and other atrocities have shed l
 ight on humanity’s darkest moments.\n\nDirector Justin Kurzel (Snowtown)
  is no stranger to controversy\, and the film offers no easy answers. In
 stead\, Kurzel paints a harrowing\, potent portrait of a bullied young m
 an (Caleb Landry Jones)\, whose parents (Judy Davis\, Anthony LaPaglia) 
 don’t know what to do with him\, and whose sole friendship is with a lon
 ely heiress (Essie Davis). Nitram was the most awarded Australian film l
 ast year\, winning eight AACTAs\, including Best Film and all acting hon
 ours. See it and decide for yourself.\n\n\n- 
URL:http://www.anufg.org.au/filminfo/20220217.html#film-4758
SUMMARY:Nitram
LOCATION:ANU Film Group
END:VEVENT
BEGIN:VEVENT
DTEND;VALUE=DATE-TIME:20220218T110500Z
DTSTART;VALUE=DATE-TIME:20220218T083000Z
DTSTAMP;VALUE=DATE-TIME:20220218T083000Z
UID:anufg.org.au/films/4759
DESCRIPTION:[This is a No Guests screening]\n\nIn the far future\, the no
 ble House Atriedes is tasked with replacing House Harkonnen as rulers of
  the desert planet Arrakis. Harsh and inhospitable\, Arrakis also happen
 s to be the only source of the most precious resource in existence: a po
 werful substance known as ‘spice’.\n\nThough initially apprehensive\, Ho
 use Atriedes leader Duke Leto (Oscar Issac) soon sees the political adva
 ntages of controlling the spice planet. His young son\, Paul (Timothée C
 halamet)\, however\, is not so certain and begins seeing troubling visio
 ns of the future – and a mysterious destiny that awaits him.\n\nSince it
 s publication in 1965\, many have tried adapting Frank Herbert’s seminal
  and notoriously ‘unfilmable’ sci-fi novel\, but no one has come close t
 o accurately depicting Herbert’s sprawling tale on screen until now. Acc
 laimed director Denis Villeneuve (Arrival\, Blade Runner 2049) finally g
 ets to fulfil his lifelong ambition of bringing Dune to life and\, aided
  by a magnificent cast\, the results are nothing short of awe-inspiring.
 \n\nNominated for 10 Oscars in 2022\, including Best Picture.\n\n- 
URL:http://www.anufg.org.au/filminfo/20220218.html#film-4759
SUMMARY:Dune
LOCATION:ANU Film Group
END:VEVENT
BEGIN:VEVENT
DTEND;VALUE=DATE-TIME:20220219T075000Z
DTSTART;VALUE=DATE-TIME:20220219T060000Z
DTSTAMP;VALUE=DATE-TIME:20220219T060000Z
UID:anufg.org.au/films/4760
DESCRIPTION:In 2016’s animated jukebox musical\, koala showman Buster Moo
 n (Matthew McConaughey) saved his beloved theatre from closure by holdin
 g a singing competition\, which brought together a ragtag group of amate
 ur animal performers. Now\, Buster is heading to Redshore City\, the gli
 ttering entertainment capital of the world\, where he hopes to stage a s
 how with his company of now-professional stars. But no one is interested
  – until the prospect of legendary rock star Clay Calloway (Bono) joinin
 g the cast is floated. There’s just one problem: the reclusive Calloway 
 hasn’t been seen in 15 years.\n\nA star-studded ensemble cast (Reese Wit
 herspoon\, Scarlett Johansson\, Taron Egerton and many more) bring this 
 menagerie of animals to life. And yes\, they all do their own singing\, 
 belting out boppy renditions of pop hits and original songs. With toe-ta
 pping musical numbers and a gleeful animated energy\, Sing 2 is bound to
  make you… well\, sing.\n\n\n- 
URL:http://www.anufg.org.au/filminfo/20220219.html#film-4760
SUMMARY:Sing 2
LOCATION:ANU Film Group
END:VEVENT
BEGIN:VEVENT
DTEND;VALUE=DATE-TIME:20220219T102700Z
DTSTART;VALUE=DATE-TIME:20220219T083000Z
DTSTAMP;VALUE=DATE-TIME:20220219T083000Z
UID:anufg.org.au/films/4761
DESCRIPTION:Aspiring fashion designer Eloise (Thomasin McKenzie) is ready
  to live her dream: she’s just been accepted into the London School of F
 ashion and is making the move from the country to the big city. But her 
 dream soon turns into a nightmare when she is mysteriously transported i
 n her sleep each night to the glamorous-yet-seedy London of the 1960s. T
 here\, she encounters Sandie (Anya Taylor-Joy)\, a wannabe starlet\, who
 se dreams of making it big lead her down a dark and violent path – one w
 hich eventually threatens to cross over into Eloise’s waking world too.\
 n\nDirector Edgar Wright (Baby Driver\, Shaun of the Dead) is no strange
 r to mashing genres together and his latest is a thrill ride that is par
 t time-travel fantasy\, part nightmarish horror and part supernatural my
 stery. Like much of his acclaimed work\, it is also stylish\, ambitious 
 and drop-dead gorgeous – everything you want for a night out at the movi
 es.\n\n\n- 
URL:http://www.anufg.org.au/filminfo/20220219.html#film-4761
SUMMARY:Last Night in Soho
LOCATION:ANU Film Group
END:VEVENT
BEGIN:VEVENT
DTEND;VALUE=DATE-TIME:20220224T095700Z
DTSTART;VALUE=DATE-TIME:20220224T083000Z
DTSTAMP;VALUE=DATE-TIME:20220224T083000Z
UID:anufg.org.au/films/4762
DESCRIPTION:<b>PRESENTED IN PARTNERSHIP WITH ALLIANCE FRANÇAISE IN CELEBR
 ATION OF THE 2022 FRENCH FILM FESTIVAL\, SCREENING IN CANBERRA FROM MARC
 H 2 TO APRIL 6</b>\n\nSuze (Virginia Efira) is a hairdresser who has jus
 t received the grim news that she’s dying from a disease caused by the a
 erosol sprays she uses at work. Jean-Baptiste (director Albert Dupontel)
  is a civil servant who is suicidal after having been pushed out of his 
 job by younger IT professionals. And Serge (Nicolas Marié) is an archivi
 st who now works in the dark basement of the public records office after
  having been blinded by a police shooting.\n\nThrough a series of crazy 
 events\, these three misfits are thrown together on a quest to find the 
 child that Suze was forced to give up for adoption nearly 30 years ago\,
  while also reclaiming their place in an uncaring world. What follows is
  a fast-paced\, anarchic mix of Gilliam-esque dystopian nightmare and Fr
 ench farce. A massive box-office hit at home\, the film also won seven C
 ésars last year\, including Best Picture. You’d be a moron to miss this!
 \n\n\n- 
URL:http://www.anufg.org.au/filminfo/20220224.html#film-4762
SUMMARY:Bye Bye Morons (Adieu les cons)
LOCATION:ANU Film Group
END:VEVENT
BEGIN:VEVENT
DTEND;VALUE=DATE-TIME:20220225T111400Z
DTSTART;VALUE=DATE-TIME:20220225T083000Z
DTSTAMP;VALUE=DATE-TIME:20220225T083000Z
UID:anufg.org.au/films/4763
DESCRIPTION:[This is a No Guests screening]\n\nOver the course of five fi
 lms beginning with Casino Royale in 2006\, Daniel Craig has indelibly le
 ft his mark on cinema’s most famous secret agent\, showcasing a never-be
 fore-seen humanity to the character\, and making the franchise fresh and
  exciting even after 25 films and 60 years. And it all comes to a thrill
 ing and emotional conclusion in No Time to Die.\n\nFollowing the events 
 of 2015’s SPECTRE\, James Bond (Craig) has left active service and is en
 joying his retirement with Madeleine Swann (Léa Seydoux) in Italy. But h
 is past isn’t content to leave him alone when CIA agent Felix Leiter (Je
 ffrey Wright) shows up with a mission: track down a kidnapped MI-6 scien
 tist who has developed a deadly new bioweapon. The trail leads Bond to c
 ross paths with new allies (Lashana Lynch\, Ana de Armas) old friends (R
 alph Fiennes\, Naomie Harris\, Ben Whishaw) and a sinister adversary (Ra
 mi Malek) – all coming together to deliver an epic send-off for Craig.\n
 \nNominated for 3 Oscars in 2022\, including Best Original Song and Best
  Visual Effects.\n\n- 
URL:http://www.anufg.org.au/filminfo/20220225.html#film-4763
SUMMARY:No Time to Die
LOCATION:ANU Film Group
END:VEVENT
BEGIN:VEVENT
DTEND;VALUE=DATE-TIME:20220226T073200Z
DTSTART;VALUE=DATE-TIME:20220226T060000Z
DTSTAMP;VALUE=DATE-TIME:20220226T060000Z
UID:anufg.org.au/films/4764
DESCRIPTION:Peter Mortimer’s new documentary\, The Alpinist\, follows on 
 in the tradition of the Oscar-winning Free Solo with its nail-biting\, r
 ope-less solo ascents of sheer imposing mountain faces and jaw-dropping 
 scenery. The alpinist in question is a free-spirited 23-year-old Canadia
 n\, Marc-André Leclerc. Nomadic and publicity shy\, he doesn't own a pho
 ne or car\, and is reluctant to let a film crew disturb his pure ideal o
 f climbing. Luckily for us\, Leclerc eventually allows Mortimer to tag a
 long as he embarks on a historic adventure in Patagonia that will redefi
 ne what is possible in solo climbing. \n\nFeaturing interviews with othe
 r climbers\, including Free Solo star Alex Honnold\, The Alpinist combin
 es breathtaking adventure with a thought-provoking portrayal of a truly 
 unique individual. A must-see on the big screen.\n\n\n- 
URL:http://www.anufg.org.au/filminfo/20220226.html#film-4764
SUMMARY:The Alpinist
LOCATION:ANU Film Group
END:VEVENT
BEGIN:VEVENT
DTEND;VALUE=DATE-TIME:20220226T105000Z
DTSTART;VALUE=DATE-TIME:20220226T083000Z
DTSTAMP;VALUE=DATE-TIME:20220226T083000Z
UID:anufg.org.au/films/4765
DESCRIPTION:When provocative stand-up comedian Henry (Adam Driver) falls 
 in love with opera star Ann (Marion Cotillard)\, it’s not long before th
 ey become the perfect showbiz couple. Their bond is tested when his care
 er starts to dip and hers starts to rise\, but it all takes a very unexp
 ected turn when their daughter\, Annette\, is born. Mostly because she h
 appens to be a wooden puppet.\n\nNo\, that’s not a typo. But it’s just t
 he tip of the iceberg of this farcical fantasy which won French auteur L
 eos Carax (Holy Motors) the Best Director honours at the 2021 Cannes Fes
 tival. And have we mentioned that the entire film plays out in song as a
  glorious rock opera? Yep\, this spellbinding film is unlike any other y
 ou’ll see this year – or any year\, for that matter.\n\n\n- 
URL:http://www.anufg.org.au/filminfo/20220226.html#film-4765
SUMMARY:Annette
LOCATION:ANU Film Group
END:VEVENT
BEGIN:VEVENT
DTEND;VALUE=DATE-TIME:20220301T101600Z
DTSTART;VALUE=DATE-TIME:20220301T083000Z
DTSTAMP;VALUE=DATE-TIME:20220301T083000Z
UID:anufg.org.au/films/4766
DESCRIPTION:María (Noomi Rapace) and Ingvar (Hilmir Snaer Gudnason) live 
 with their herd of sheep on a beautiful but remote farm in the Icelandic
  hills. Their mundane existence is soon reinvigorated by a miraculous di
 scovery in their sheep shed: a mysterious newborn who is half human\, ha
 lf lamb. Deciding to keep the creature\, they opt to raise it as their o
 wn and the prospect of new family initially brings them much joy. But a 
 shadow is cast over their newfound happiness when Ingvar’s ex-pop star b
 rother Pétur (Björn Hlynur Haraldsson) unexpectedly pays them a visit.\n
 \nLamb won the Un Certain Regard Prize of Originality at the 2021 Cannes
  Film Festival\, and that pretty much sums up all you need to know about
  the film. It’s a bold\, atmospheric cinematic experience that is near i
 mpossible to categorise in any particular genre\, but deserving of admir
 ation nonetheless.\n\n\n- 
URL:http://www.anufg.org.au/filminfo/20220301.html#film-4766
SUMMARY:Lamb
LOCATION:ANU Film Group
END:VEVENT
BEGIN:VEVENT
DTEND;VALUE=DATE-TIME:20220303T105800Z
DTSTART;VALUE=DATE-TIME:20220303T083000Z
DTSTAMP;VALUE=DATE-TIME:20220303T083000Z
UID:anufg.org.au/films/4767
DESCRIPTION:[This is a No Guests screening]\n\nFor Peter Parker (Tom Holl
 and)\, life has never been worse: the villainous Mysterio has framed him
  for his death and revealed Peter’s secret identity as Spider-Man to the
  world\, putting everyone he loves at risk. Seeking an extreme solution 
 to regain his privacy\, he seeks out the help of Doctor Strange (Benedic
 t Cumberbatch) to cast a reality-altering spell that would undo the reve
 lation. When the spell goes wrong\, however\, the very fabric of their w
 orld is threatened…\n\nTo say more would take away from this hugely ente
 rtaining\, emotional and spectacular blockbuster that brings together el
 ements of nearly 20 years of Spider-Man films. Given that it has become 
 one of the biggest films in history (no small feat\, given the ongoing p
 andemic)\, odds are you’ve already seen it – but this is one film that d
 emands to be seen\, applauded\, cheered and enjoyed with others\, so don
 ’t miss it!\n\n\nOscar nominee in 2022 for Best Visual Effects.\n\n- 
URL:http://www.anufg.org.au/filminfo/20220303.html#film-4767
SUMMARY:Spider-Man: No Way Home
LOCATION:ANU Film Group
END:VEVENT
BEGIN:VEVENT
DTEND;VALUE=DATE-TIME:20220304T110800Z
DTSTART;VALUE=DATE-TIME:20220304T083000Z
DTSTAMP;VALUE=DATE-TIME:20220304T083000Z
UID:anufg.org.au/films/4768
DESCRIPTION:[This is a No Guests screening]\n\nIn 1978\, Patrizia Reggian
 i (Lady Gaga) meets Maurizio Gucci (Adam Driver)\, the young heir to the
  formidable Italian fashion dynasty. The two fall in love\, and it’s not
  long before they are married. Maurizio isn’t power-hungry\, but Patrizi
 a’s outsider ambitions soon begin to shake up the family\, including Mau
 rizio’s father (Jeremy Irons)\, his uncle and company chairman\, Aldo (A
 l Pacino) and designer cousin\, Paolo (Jared Leto). Over the next 20 yea
 rs\, everyone involved will see their fortunes change forever in this sh
 ocking true tale of love\, betrayal\, decadence\, revenge\, and ultimate
 ly\, murder.\n\nOne of two (!) films that prolific\, 83-year-old directo
 r Ridley Scott released in 2021\, there’s no denying the fun watching th
 is film’s operatic machinations unfold. With an A-list cast of scenery c
 hewers all replete with their best exaggerated Italian accents\, House o
 f Gucci is cinematic camp at its best.\n\nOscar nominee in 2022 for Best
  Makeup and Hairstyling.\n\n- 
URL:http://www.anufg.org.au/filminfo/20220304.html#film-4768
SUMMARY:House of Gucci
LOCATION:ANU Film Group
END:VEVENT
BEGIN:VEVENT
DTEND;VALUE=DATE-TIME:20220305T074700Z
DTSTART;VALUE=DATE-TIME:20220305T060000Z
DTSTAMP;VALUE=DATE-TIME:20220305T060000Z
UID:anufg.org.au/films/4769
DESCRIPTION:Many of you will no doubt recall the 2018 news story of twelv
 e boys and their soccer coach who became trapped deep inside a flooded c
 ave in Northern Thailand. Although fearing multiple fatalities\, the res
 cue divers never gave up as\, over the course of several days\, viewers 
 around the world watched and waited with bated breath. \n\nThe Rescue dr
 aws on archival news footage\, along with never-before-seen material and
  exclusive interviews\, to recreate the story of one of the most perilou
 s and extraordinary rescues of modern times – one which highlights the c
 ourage of the rescuers and the shared humanity of a united international
  community. Once again\, Elizabeth Chai Vasarhelyi and Jimmy Chin (direc
 tors of the Academy Award-winning documentary Free Solo) demonstrate the
 ir ability to create a spell-binding documentary even when you may know 
 the outcome.\n\n\n- 
URL:http://www.anufg.org.au/filminfo/20220305.html#film-4769
SUMMARY:The Rescue
LOCATION:ANU Film Group
END:VEVENT
BEGIN:VEVENT
DTEND;VALUE=DATE-TIME:20220305T100100Z
DTSTART;VALUE=DATE-TIME:20220305T083000Z
DTSTAMP;VALUE=DATE-TIME:20220305T083000Z
UID:anufg.org.au/films/4770
DESCRIPTION:Living alone deep in the Oregon wilderness\, the reclusive Ro
 b (Nicolas Cage) ekes out a meagre existence hunting for and then sellin
 g truffles\, aided by his prized foraging pig\, Apple. But after his bel
 oved companion is carried off in the middle of the night\, Rob is forced
  to return to civilisation to confront his past along with some long-bur
 ied trauma.\n\nRight now you’re probably thinking this all sounds like J
 ohn Wick with Nicolas Cage in the Keanu Reeves role and a pig in place o
 f his beloved dog – but you’d be as wrong as vegan bacon. Pig is actuall
 y a quiet\, mesmerising and melancholy meditation on love and loss. Play
 ing completely against expectations\, the ever-unpredictable Cage delive
 rs some of his best work in years with a shockingly measured performance
  and nary an operatic monologue to be found. See it to believe it.\n\n\n
 - 
URL:http://www.anufg.org.au/filminfo/20220305.html#film-4770
SUMMARY:Pig
LOCATION:ANU Film Group
END:VEVENT
BEGIN:VEVENT
DTEND;VALUE=DATE-TIME:20220309T100700Z
DTSTART;VALUE=DATE-TIME:20220309T083000Z
DTSTAMP;VALUE=DATE-TIME:20220309T083000Z
UID:anufg.org.au/films/4771
DESCRIPTION:When two drifters travelling across a deserted wasteland stum
 ble across the biggest gold nugget ever found\, the dream of immense wea
 lth and greed takes hold. The discovery soon becomes problematic\, howev
 er\, when they discover that a large part of the nugget is buried underg
 round. They hatch a plan to excavate the gold: one man (Zac Efron) will 
 stay with the nugget to protect it\, while the other (Anthony Hayes) lea
 ves to secure the necessary equipment. But as the hours and eventually d
 ays pass\, the man left behind is forced to endure the harsh desert elem
 ents amidst dwindling supplies and an increasing suspicion he may have b
 een abandoned to his own fate.\n\nA sparse survival thriller\, Gold inst
 antly evokes such classic outback thrillers as Wake in Fright – and it’s
  an apt comparison. Complete with an Aussie mullet\, former teen idol Ef
 ron is a revelation\, delivering the best performance of his career.\n\n
 \n- 
URL:http://www.anufg.org.au/filminfo/20220309.html#film-4771
SUMMARY:Gold
LOCATION:ANU Film Group
END:VEVENT
BEGIN:VEVENT
DTEND;VALUE=DATE-TIME:20220310T103300Z
DTSTART;VALUE=DATE-TIME:20220310T083000Z
DTSTAMP;VALUE=DATE-TIME:20220310T083000Z
UID:anufg.org.au/films/4772
DESCRIPTION:<b>PRESENTED IN PARTNERSHIP WITH THE EMBASSY OF SPAIN</b>\n\n
 At its simplest level\, Parallel Mothers is about two women who give bir
 th in the same hospital on the same day. Almost 40\, Janis (Penélope Cru
 z) is an accomplished photographer in Madrid who became pregnant as a re
 sult of an affair with Arturo (Israel Elejalde). Nonetheless\, she is ex
 cited about what lies ahead of her. Also single and unexpectedly pregnan
 t\, adolescent Ana (Milena Smit) is frightened and unsure of her ability
  to cope. The two women find themselves connecting in various and unexpe
 cted ways as their lives take many surprising twists and turns. \n\nThis
  is the eighth film that director Pedro Almodóvar (Pain and Glory\, Juli
 eta) and Cruz have worked on together over the last 25 years. Almodóvar 
 returns to his familiar theme of strong women whose lives are intertwine
 d in a story that’s both personal and political\, and linked to Spain’s 
 troubled history.\n\nNominated for 2 Oscars in 2022\, including Best Act
 ress (Penélope Cruz).\n\n\n- 
URL:http://www.anufg.org.au/filminfo/20220310.html#film-4772
SUMMARY:Parallel Mothers (Madres paralelas)
LOCATION:ANU Film Group
END:VEVENT
BEGIN:VEVENT
DTEND;VALUE=DATE-TIME:20220311T105800Z
DTSTART;VALUE=DATE-TIME:20220311T083000Z
DTSTAMP;VALUE=DATE-TIME:20220311T083000Z
UID:anufg.org.au/films/4773
DESCRIPTION:Thomas Anderson (Keanu Reeves) is a video game designer whose
  claim to fame is creating a popular video game known as The Matrix\, wh
 ich in a very meta way\, closely resembles the events that unfolded in t
 he first three Matrix films. He occasionally crosses paths with Tiffany 
 (Carrie-Anne Moss)\, a married mother who looks like someone he once kne
 w – or does she? The problem is that Anderson has recently been struggli
 ng to distinguish his dreams from reality and he’s not too fond of the b
 lue pills prescribed by his therapist (Neil Patrick Harris) to keep him 
 sane. Fortunately for Anderson\, however\, a group of rebels is about to
  show him the truth of what the Matrix really is.\n\nIf your head is alr
 eady spinning from this brief synopsis\, no one would blame you. But sti
 ck with it and you’ll find a comfortingly nostalgic and self-aware addit
 ion to the series.\n\n\n- 
URL:http://www.anufg.org.au/filminfo/20220311.html#film-4773
SUMMARY:The Matrix Resurrections
LOCATION:ANU Film Group
END:VEVENT
BEGIN:VEVENT
DTEND;VALUE=DATE-TIME:20220312T074900Z
DTSTART;VALUE=DATE-TIME:20220312T060000Z
DTSTAMP;VALUE=DATE-TIME:20220312T060000Z
UID:anufg.org.au/films/4774
DESCRIPTION:[This is a No Guests screening]\n\nForced by an armed conflic
 t to flee her village\, Alma Madrigal (María Cecilia Botero) and her inf
 ant triplets are – by a miracle – granted a magical house in the hills o
 f Colombia in which they can seek refuge. It soon transpires that the ho
 use is not the only thing that is magical: each descendant of the ever-g
 rowing Madrigal family is blessed with a unique gift – all except for th
 e extremely ordinary Mirabel (Stephanie Beatriz). But when she discovers
  that the house may be losing its magic after 50 years\, Mirabel learns 
 that she may be her exceptional family’s last hope.\n\nIt may be the 60t
 h feature film produced by Walt Disney Animation Studios\, but Encanto i
 s more than your stock standard Disney fairy tale. From a fresh South Am
 erican cultural perspective\, the film touches on powerful themes such a
 s familial trauma\, wrapped up in terrific original songs from songwrite
 r Lin-Manuel Miranda (Moana\, Hamilton).\n\nNominated for 3 Oscars in 20
 22\, including Best Animated Feature.\n\n- 
URL:http://www.anufg.org.au/filminfo/20220312.html#film-4774
SUMMARY:Encanto
LOCATION:ANU Film Group
END:VEVENT
BEGIN:VEVENT
DTEND;VALUE=DATE-TIME:20220312T101800Z
DTSTART;VALUE=DATE-TIME:20220312T083000Z
DTSTAMP;VALUE=DATE-TIME:20220312T083000Z
UID:anufg.org.au/films/4775
DESCRIPTION:The full title of this film is The French Dispatch of the Lib
 erty\, Kansas Evening Sun and the eponymous dispatch is a magazine based
  in the fictional 20th-century French city of Ennui-sur-Blasé. After its
  editor Arthur Howitzer (Bill Murray) suddenly dies\, his will states th
 at magazine must finish up\, but not before releasing one final farewell
  issue. The rest of the film brings to life a collection of stories publ
 ished in that issue in a series of intricately constructed vignettes.\n\
 nFull of zany characters\, the star-studded cast includes Frances McDorm
 and\, Adrien Brody\, Tilda Swinton\, Benicio Del Toro\, Timothée Chalame
 t\, Léa Seydoux\, Elizabeth Moss\, Owen Wilson\, Jeffrey Wright\, Christ
 oph Waltz and many\, many more. Trust us\, you could play Hollywood Bing
 o with this one. \n\nA loving ode to the spirit of journalism\, The Fren
 ch Dispatch can be a little hard to follow\, but fans of comedic mayhem 
 and Wes Anderson's idiosyncratic style won’t be disappointed.\n\n\n- 
URL:http://www.anufg.org.au/filminfo/20220312.html#film-4775
SUMMARY:The French Dispatch
LOCATION:ANU Film Group
END:VEVENT
BEGIN:VEVENT
DTEND;VALUE=DATE-TIME:20220316T095600Z
DTSTART;VALUE=DATE-TIME:20220316T083000Z
DTSTAMP;VALUE=DATE-TIME:20220316T083000Z
UID:anufg.org.au/films/4776
DESCRIPTION:The documentary Breaking Bread follows a group of chefs as th
 ey take part in the Asham food festival in Haifa\, Israel. This unique f
 estival brings together pairs of Arab and Jewish chefs to create each of
  the dishes. It was founded by Dr. Nof Atamna-Ismaeel\, the first Muslim
  Arab to win Israel's Masterchef contest\, in the firm belief that there
  is no room for politics in the kitchen. \n \nFilmed in English\, Breaki
 ng Bread is a film about courage and hope\, and what can happen when peo
 ple are united by what they love – which\, in this case\, is mouth-water
 ing food. It stars a host of delectable Middle Eastern fare such as kish
 ek (a Syrian yogurt soup)\, qatayef (a dessert typically served during R
 amadan)\, mussakhan (Palestinian roast chicken) and kreplach (Jewish dum
 plings).\n\n\n- 
URL:http://www.anufg.org.au/filminfo/20220316.html#film-4776
SUMMARY:Breaking Bread
LOCATION:ANU Film Group
END:VEVENT
BEGIN:VEVENT
DTEND;VALUE=DATE-TIME:20220317T103400Z
DTSTART;VALUE=DATE-TIME:20220317T083000Z
DTSTAMP;VALUE=DATE-TIME:20220317T083000Z
UID:anufg.org.au/films/4777
DESCRIPTION:When broke single mother Callie’s (Carrie Coon) estranged fat
 her dies\, leaving her nothing more than a dilapidated farmhouse in the 
 middle of nowhere\, she has no choice but to move there with her kids. W
 hile 15-year-old Trevor (Finn Wolfhard) works hard to enamour himself to
  a waitress at a diner\, 12-year-old science-obsessed loner Phoebe (Mcke
 nna Grace) is left to her own devices to explore the house and her new t
 own. Before long\, she discovers her family’s connection to the original
  Ghostbusters and the secret legacy that her grandfather left behind.\n\
 nThis long awaited sequel to 1984’s Ghostbusters and 1989’s Ghostbusters
  II does not disappoint\, injecting new blood into the franchise while a
 lso providing a warm\, fuzzy dose of nostalgia. Being a family affair do
 esn’t hurt either\, with lauded director Jason Reitman (Juno\, Up in the
  Air) – son of original Ghostbusters director Ivan – taking up the reign
 s.\n\n\n- 
URL:http://www.anufg.org.au/filminfo/20220317.html#film-4777
SUMMARY:Ghostbusters: Afterlife
LOCATION:ANU Film Group
END:VEVENT
BEGIN:VEVENT
DTEND;VALUE=DATE-TIME:20220318T102000Z
DTSTART;VALUE=DATE-TIME:20220318T083000Z
DTSTAMP;VALUE=DATE-TIME:20220318T083000Z
UID:anufg.org.au/films/4778
DESCRIPTION:60 years ago\, a milkman-turned-bodybuilder introduced a fict
 ional British secret agent to the world with the flick of a lighter and 
 three immortal words – “Bond… James Bond” – and the rest is history. \n\
 n007’s very first on-screen adventure sees Bond (Sean Connery) sent on a
 ssignment to Jamaica to solve the mysterious murder of a fellow agent. W
 ith the help of CIA agent Felix Leiter (Jack Lord) and local fisherman Q
 uarrel (John Kitzmiller)\, he survives assassins and double-crossing fem
 me fatales\, eventually following the trail of death and destruction to 
 the island lair of the sinister Dr. No (Joseph Wiseman).\n\nIt’s hard to
  believe that a series as big as Bond began as a low-budget thriller whi
 ch most Hollywood studios rejected\, but this is where it all began. Not
 ably\, this is the film that introduces many elements – from the opening
  gunbarrel sequence to Monty Norman’s iconic theme – which continue to b
 e hallmarks of the series 25 films and six decades later.\n\n\n- 
URL:http://www.anufg.org.au/filminfo/20220318.html#film-4778
SUMMARY:Dr. No
LOCATION:ANU Film Group
END:VEVENT
BEGIN:VEVENT
DTEND;VALUE=DATE-TIME:20220319T075300Z
DTSTART;VALUE=DATE-TIME:20220319T060000Z
DTSTAMP;VALUE=DATE-TIME:20220319T060000Z
UID:anufg.org.au/films/4779
DESCRIPTION:The story begins in 1789 France\, shortly before the French R
 evolution\, where cordon bleu dining is strictly the domain of aristocra
 ts. When the ambitious chef Manceron (Grégory Gadebois) serves an unappr
 oved dish of his own creation\, he is promptly dismissed. His pride woun
 ded\, he retreats to an infrequently-visited inn in the countryside to s
 erve up common dishes such as vegetable soup. But when a mysterious woma
 n (Isabelle Carré) arrives and offers to pay to become his apprentice\, 
 Manceron’s passion for fine cuisine is reignited\, leading to the creati
 on of France's very first restaurant. \n\nJoining the ranks of films suc
 h as Chocolat and Babette's Feast in its joyous depiction of food prepar
 ation\, this film is a delicious historical comedy which proves the adag
 e that success is the best revenge. Be sure to make a dinner reservation
  ahead of time – you’ll be starving after seeing this!\n\n\n- 
URL:http://www.anufg.org.au/filminfo/20220319.html#film-4779
SUMMARY:Delicious (Délicieux)
LOCATION:ANU Film Group
END:VEVENT
BEGIN:VEVENT
DTEND;VALUE=DATE-TIME:20220319T102600Z
DTSTART;VALUE=DATE-TIME:20220319T083000Z
DTSTAMP;VALUE=DATE-TIME:20220319T083000Z
UID:anufg.org.au/films/4780
DESCRIPTION:It is 2001 and Argentina is in the depths of a financial cris
 is. But retired football star Fermin Pelassi (Ricardo Darin)\, now a ser
 vice station owner in the sleepy provincial town of Alsina\, has a plan.
  If he and some other townsfolk form a cooperative they can buy and rest
 ore an abandoned grain silo\, creating much-needed jobs and revenue for 
 the town. \n\nTheir hopes are dashed when the government freezes all ban
 k assets\, right after they have entrusted their sizeable deposit to a w
 ily bank manager in the next town. Hearing rumours that their money has 
 actually been stashed in a secret cache\, Fermin and his band of stalwar
 t underdogs decide to steal it back.\n \nFeaturing an all-star Argentini
 an cast led by the ever-reliable Darin\, Heroic Losers is a hugely enter
 taining and cathartic romp that was also Argentina’s submission for the 
 Best International Feature Film Oscar in 2020.\n\n\n- 
URL:http://www.anufg.org.au/filminfo/20220319.html#film-4780
SUMMARY:Heroic Losers (La odisea de los giles)
LOCATION:ANU Film Group
END:VEVENT
BEGIN:VEVENT
DTEND;VALUE=DATE-TIME:20220321T083000Z
DTSTART;VALUE=DATE-TIME:20220321T070000Z
DTSTAMP;VALUE=DATE-TIME:20220321T070000Z
UID:anufg.org.au/films/4781
DESCRIPTION:In case you didn’t know\, the ANU Film Group is run by a dedi
 cated and hard-working group of volunteers. Our Annual General Meeting (
 AGM) is where we report back to our members on how we did in the year ju
 st past\, and what our plans are for the future. All members are welcome
  to come along and find out about the inner workings of the Film Group o
 r ask us any questions you might have.\n\nThe AGM is also an opportunity
  for members to get in on the action by volunteering to join the Group’s
  committee\, as we select a new administration to guide us through the n
 ext 12 months. Being on the committee allows you to be involved in every
 thing from film selection and booking to marketing\, graphic design\, fu
 ndraising\, event planning and much more. It’s hard work\, but somebody’
 s gotta do it!\n\nIf you have any questions or would like more informati
 on about the AGM or volunteering for the Group\, please don’t hesitate t
 o contact us at info@anufg.org.au\n\n\n- 
URL:http://www.anufg.org.au/filminfo/20220321.html#film-4781
SUMMARY:ANUFG Annual General Meeting
LOCATION:ANU Film Group
END:VEVENT
BEGIN:VEVENT
DTEND;VALUE=DATE-TIME:20220323T102600Z
DTSTART;VALUE=DATE-TIME:20220323T083000Z
DTSTAMP;VALUE=DATE-TIME:20220323T083000Z
UID:anufg.org.au/films/4782
DESCRIPTION:After his wife is killed in a train accident\, Markus (Mads M
 ikkelsen)\, a highly trained soldier who was recently deployed overseas\
 , returns to Denmark to care for his teenage daughter Mathilde (Andrea H
 eick Gadeberg). Then Otto (Nikolaj Lie Kaas)\, a statistician who was al
 so on the train\, turns up at his door claiming the train crash was not 
 an accident at all\, but in fact caused by a local gang targeting a witn
 ess in an upcoming trial. Accompanied by Otto and two of his equally ner
 dy and neurotic friends\, Markus sets out to avenge his wife. \n\nAlthou
 gh there’s plenty of action and bullets (with a plotline that initially 
 resembles the recent oeuvre of one Mr. Liam Neeson)\, Riders of Justice 
 is a darkly humorous and surprisingly humane film about ordinary people 
 trying to make sense of the painful and nonsensical events in their live
 s. It’s also a lot of fun.\n\n\n- 
URL:http://www.anufg.org.au/filminfo/20220323.html#film-4782
SUMMARY:Riders of Justice (Retfærdighedens Ryttere)
LOCATION:ANU Film Group
END:VEVENT
BEGIN:VEVENT
DTEND;VALUE=DATE-TIME:20220324T100700Z
DTSTART;VALUE=DATE-TIME:20220324T083000Z
DTSTAMP;VALUE=DATE-TIME:20220324T083000Z
UID:anufg.org.au/films/4783
DESCRIPTION:<b>PRESENTED IN PARTNERSHIP WITH THE EMBASSY OF IRELAND</b>\n
 \nWhen single mother Sandra (Clare Dunne\, who co-wrote the script) esca
 pes her abusive husband (Ian Lloyd Anderson) with her two young children
 \, she finds herself suddenly thrust into Ireland’s broken social housin
 g system. Craving stability after months of struggling\, she draws inspi
 ration from one of her daughter’s bedtime stories and hits upon the idea
  of building a new home for herself. All she needs is a plot of land and
  €35\,000 – which\, of course\, is easier said than done. \n\nFortunatel
 y for Sandra\, however\, she has lucked into a ragtag community of frien
 ds and supporters – including an architect and a building contractor – w
 ho all pitch in to help. But as her past rears its head once more and bu
 reaucrats fight back against her independent spirit\, will Sandra be abl
 e to rebuild her life from the ground up?\n\nDirected by Phyllida Lloyd\
 , this inspirational Dublin-set drama tells a simple-yet-resonant story 
 that substitutes clichéd melodrama for empathy and grace.\n\n\n- 
URL:http://www.anufg.org.au/filminfo/20220324.html#film-4783
SUMMARY:Herself
LOCATION:ANU Film Group
END:VEVENT
BEGIN:VEVENT
DTEND;VALUE=DATE-TIME:20220325T104100Z
DTSTART;VALUE=DATE-TIME:20220325T083000Z
DTSTAMP;VALUE=DATE-TIME:20220325T083000Z
UID:anufg.org.au/films/4784
DESCRIPTION:In 1914\, after his wife is killed by accidental crossfire\, 
 the Duke of Oxford (Ralph Fiennes) has sworn never to be involved in vio
 lence again. He vows to keep his only son (Harris Dickinson) from even j
 oining the military\, which doesn’t sit well with said son\, especially 
 when the world is on the brink of erupting into war. Hoping to avoid the
  conflict\, Oxford sets out to diffuse the situation but soon makes a sh
 ocking discovery: the war is actually part of a plot by a secret cabal o
 f history’s worst tyrants and criminal masterminds to wipe out millions\
 , leaving it up to him to race against time to stop them.\n\nWatching Fi
 ennes in action hero mode is a thrill in this prequel to the hit Kingsma
 n series which dials back the clock a good 100 years for a fun\, farcica
 l blast from the past.\n\n\n- 
URL:http://www.anufg.org.au/filminfo/20220325.html#film-4784
SUMMARY:The King's Man
LOCATION:ANU Film Group
END:VEVENT
BEGIN:VEVENT
DTEND;VALUE=DATE-TIME:20220326T075600Z
DTSTART;VALUE=DATE-TIME:20220326T060000Z
DTSTAMP;VALUE=DATE-TIME:20220326T060000Z
UID:anufg.org.au/films/4785
DESCRIPTION:It’s December 1991\, and the British Royal Family is preparin
 g to spend three days together celebrating Christmas at the Queen’s Sand
 ringham Estate. Despite being ordained to keep up appearances amidst all
  of the feasting\, hunting and other regimented rituals\, Princess Diana
  (Kristen Stewart) is a woman in crisis. Her ten-year marriage to Prince
  Charles (Jack Farthing) has gone cold\, as rumours of affairs and a div
 orce abound. She is under constant surveillance\, and even her mental he
 alth is being called into question. Through all this\, the people’s prin
 cess yearns more than ever for her life before marriage and finds hersel
 f drawn to her dilapidated old family home nearby.\n\nReceiving a Best A
 ctress Oscar nomination for her performance here\, Kristen Stewart has n
 ever been better\, delivering a masterful turn that is as much about wha
 t is visible on the surface as the pain quietly bubbling beneath. A bold
 \, compassionate and unconventional take on the royal biopic.\n\n\n- 
URL:http://www.anufg.org.au/filminfo/20220326.html#film-4785
SUMMARY:Spencer
LOCATION:ANU Film Group
END:VEVENT
BEGIN:VEVENT
DTEND;VALUE=DATE-TIME:20220326T104000Z
DTSTART;VALUE=DATE-TIME:20220326T083000Z
DTSTAMP;VALUE=DATE-TIME:20220326T083000Z
UID:anufg.org.au/films/4786
DESCRIPTION:In Red Rocket\, innovative indie filmmaker Sean Baker (Tanger
 ine\, The Florida Project) once again turns to his favourite subject: th
 e American underclass. His latest acclaimed film follows washed-up porn 
 star and hustler Mikey Saber (Simon Rex)\, who returns penniless to the 
 Texas hometown that was glad to see the back of him. Hoping to make a fr
 esh start after nearly 20 years away\, he begins living with his estrang
 ed wife and mother-in-law in exchange for doing household chores for the
 m. Just when it seems this dysfunctional family might work\, however\, M
 ikey falls for Strawberry (Suzanna Son)\, the young cashier at his local
  doughnut shop\, and starts right back into his old habits.\n\nRex\, a s
 uccessful actor\, model\, rapper and even former porn performer himself\
 , has been perfectly cast in this witty yet warmly humane character stud
 y of a man who can’t escape himself.\n\n\n- 
URL:http://www.anufg.org.au/filminfo/20220326.html#film-4786
SUMMARY:Red Rocket
LOCATION:ANU Film Group
END:VEVENT
BEGIN:VEVENT
DTEND;VALUE=DATE-TIME:20220329T095400Z
DTSTART;VALUE=DATE-TIME:20220329T083000Z
DTSTAMP;VALUE=DATE-TIME:20220329T083000Z
UID:anufg.org.au/films/4787
DESCRIPTION:<b>PRESENTED IN PARTNERSHIP WITH THE EMBASSY OF THE REPUBLIC 
 OF KOSOVO</b>\n\nFahrije (Yllka Gashi) and the other women of her Albani
 an-speaking village struggle to provide for their families after their h
 usbands go missing during the war in Kosovo. When she convinces the wome
 n to band together to make and sell a traditional capsicum relish\, Fahr
 ije faces strong hostility from the remaining men of the village.  As th
 e women’s hopes of ever seeing their husbands again fade\, they must fig
 ht for their only hope of a future. \n\nBased on a true story\, Hive won
  the most awards of any film at the 2021 Sundance Film Festival\, and wa
 s the first ever to win all three main awards – the Grand Jury Prize\, t
 he Audience Award and the Directing Award – in the World Cinema Dramatic
  Competition. Not surprisingly\, it is also Kosovo’s entry for this year
 ’s Academy Award for Best International Feature Film.\n\n\n- 
URL:http://www.anufg.org.au/filminfo/20220329.html#film-4787
SUMMARY:Hive (Zgjoi)
LOCATION:ANU Film Group
END:VEVENT
BEGIN:VEVENT
DTEND;VALUE=DATE-TIME:20220331T105400Z
DTSTART;VALUE=DATE-TIME:20220331T083000Z
DTSTAMP;VALUE=DATE-TIME:20220331T083000Z
UID:anufg.org.au/films/4788
DESCRIPTION:Before they were even born\, Richard Williams (Will Smith) ha
 d already put together a brazen\, 78-page plan for how to turn his two d
 aughters – Venus and Serena – into professional tennis players. Using wh
 atever methods necessary and undeterred by endless obstacles\, Richard w
 orks tirelessly to enact his vision\, defying seemingly insurmountable o
 dds and the prevailing expectations laid before his family\, including l
 ong-suffering wife\, Brandy (Aunjanue Ellis).\n\nYou may think you know 
 what to expect from a film like this\, but King Richard transcends your 
 usual formulaic sports biopic clichés (no training montages here!) to ma
 ke for a profoundly moving and immensely crowdpleasing yet nuanced famil
 y drama. And at its beating heart is a towering performance from Smith\,
  delivering his best work in years. \n\nNominated for 6 Oscars in 2022\,
  including Best Picture and Best Actor (Will Smith).\n\n\n- 
URL:http://www.anufg.org.au/filminfo/20220331.html#film-4788
SUMMARY:King Richard
LOCATION:ANU Film Group
END:VEVENT
BEGIN:VEVENT
DTEND;VALUE=DATE-TIME:20220401T110600Z
DTSTART;VALUE=DATE-TIME:20220401T083000Z
DTSTAMP;VALUE=DATE-TIME:20220401T083000Z
UID:anufg.org.au/films/4789
DESCRIPTION:[This is a No Guests screening]\n\nWhen Steven Spielberg’s re
 make of West Side Story was first announced\, many wondered why the prol
 ific director would want to re-do something that had already such an ico
 nic place in the cultural zeitgeist\, and even won 10 Oscars in 1961. Bu
 t the results speak for themselves: Speilberg’s first-ever musical is an
  absolute knock-out that is not only one of the best movies of the year\
 , but one of the best of his career.\n\nSet in 1957 New York City\, the 
 film tells the classic tale of fierce rivalries and young love as the re
 lationship between two teenagers – Tony (Ansel Elgort) and Maria (Rachel
  Zegler) – fuels the fire between two warring gangs fighting for suprema
 cy over New York’s West Side. It’s a tale as old as time\, but Spielberg
  reinvigorates it by adopting elements of both the original 1957 stage s
 how and the beloved film to create a masterful adaptation that is simult
 aneously faithful and more modern\, and altogether timely.\n\nNominated 
 for 7 Oscars in 2022\, including Best Picture.\n\n- 
URL:http://www.anufg.org.au/filminfo/20220401.html#film-4789
SUMMARY:West Side Story
LOCATION:ANU Film Group
END:VEVENT
BEGIN:VEVENT
DTEND;VALUE=DATE-TIME:20220402T073800Z
DTSTART;VALUE=DATE-TIME:20220402T060000Z
DTSTAMP;VALUE=DATE-TIME:20220402T060000Z
UID:anufg.org.au/films/4790
DESCRIPTION:[This is a No Guests screening]\n\nBelfast chronicles the lif
 e of a working-class Protestant family through the eyes of their 9-year-
 old son Buddy (Jude Hill) during the social tumult of the late 1960s in 
 (you guessed it) Belfast\, Northern Ireland. As the Protestants begin to
  mount full-on assaults on Catholic households\, Buddy must come to term
 s with love\, religion\, growing up and the prospect of leaving the only
  home he’s ever known for a new life in England.\n\nKenneth Branagh writ
 es and directs this semi-autobiographical take on his own childhood grow
 ing up in Belfast in the 60s and\, as told from the perspective of a chi
 ld\, presents as more a series of charming anecdotes than any sort of he
 avy political diatribe. But the deeply personal nature of the film shine
 s through\, most of all in the beautiful performances of its cast\, incl
 uding Buddy’s Pa (Jamie Dornan)\, Ma (Caitriona Balfe)\, Pop (Ciarán Hin
 ds) and Granny (Judi Dench).\n\nNominated for 7 Oscars in 2022\, includi
 ng Best Picture.\n\n- 
URL:http://www.anufg.org.au/filminfo/20220402.html#film-4790
SUMMARY:Belfast
LOCATION:ANU Film Group
END:VEVENT
BEGIN:VEVENT
DTEND;VALUE=DATE-TIME:20220402T104400Z
DTSTART;VALUE=DATE-TIME:20220402T083000Z
DTSTAMP;VALUE=DATE-TIME:20220402T083000Z
UID:anufg.org.au/films/4791
DESCRIPTION:In 1973\, while waiting to get his school photo taken\, 15-ye
 ar-old budding actor Gary Valentine (Cooper Hoffman) asks 25-year-old ph
 otographer’s assistant Alana Kane (Alana Haim) on a date\, sparking a fi
 ery friendship\, a business partnership\, and possibly even a romance. \
 n\nWith Licorice Pizza\, director Paul Thomas Anderson (Boogie Nights\, 
 There Will Be Blood) makes his long-awaited return to California’s San F
 ernando Valley – where he grew up and set many of his early films – for 
 an unconventional coming-of-age romantic comedy. Hoffman\, the son of la
 te actor and frequent Anderson collaborator Phillip Seymour Hoffman\, an
 d Haim make impressive film debuts here\, alongside a revolving door of 
 eccentric day players\, including Sean Penn as an ageing movie star and 
 a totally unhinged Bradley Cooper as a Hollywood producer.\n\nAnd in cas
 e you’re wondering\, the title refers to a slang term for a vinyl record
 \, not some confectionary abomination.\n\nNominated for 3 Oscars in 2022
 \, including Best Picture.\n\n\n- 
URL:http://www.anufg.org.au/filminfo/20220402.html#film-4791
SUMMARY:Licorice Pizza
LOCATION:ANU Film Group
END:VEVENT
BEGIN:VEVENT
DTEND;VALUE=DATE-TIME:20220406T111600Z
DTSTART;VALUE=DATE-TIME:20220406T093000Z
DTSTAMP;VALUE=DATE-TIME:20220406T093000Z
UID:anufg.org.au/films/4792
DESCRIPTION:<b>PRESENTED IN PARTNERSHIP WITH THE EMBASSY OF MEXICO</b>\n\
 nYoung\, uptight writer Henry's (Sam Claflin) novel is such a failure th
 at even bookstores in his native England can’t give copies away. So it’s
  much to his surprise when he discovers that it has become a surprise hi
 t in Mexico after being translated into Spanish.\n\nBefore he knows it\,
  Henry is on a plane to Mexico for a promotional tour\, where he is pair
 ed with the novel’s translator\, Maria (Verónica Echegui). There’s just 
 one curveball: unbeknownst to Henry\, aspiring author Maria has actually
  completely rewritten his novel and turned the dull tome into a steamy e
 rotic novel.\n\nClaflin and Echegui make a nimble\, savvy pairing in thi
 s romantic-comedy that was filmed in the southern Mexican state of Chiap
 as\, known for its unique Spanish colonial architecture and hilly terrai
 ns. If you’re in need of a dose of love\, laughter and the illusion of o
 verseas travel\, turn the page on Book of Love.\n\n\n- 
URL:http://www.anufg.org.au/filminfo/20220406.html#film-4792
SUMMARY:Book of Love
LOCATION:ANU Film Group
END:VEVENT
BEGIN:VEVENT
DTEND;VALUE=DATE-TIME:20220407T110800Z
DTSTART;VALUE=DATE-TIME:20220407T093000Z
DTSTAMP;VALUE=DATE-TIME:20220407T093000Z
UID:anufg.org.au/films/4793
DESCRIPTION:<b>PRESENTED IN PARTNERSHIP WITH THE NEW ZEALAND HIGH COMMISS
 ION</b>\n\nWhen Māori cousins Mata\, Missy and Makareta meet as children
 \, they are immediately bound by more than just blood – until they are s
 eparated to live vastly different lives. Orphaned Mata is raised by a ra
 cist guardian who forbids her from having any contact with her family. M
 akareta flees an arranged marriage to live an independent life in the ci
 ty\, while Missy takes on her role as custodian of their family land\, b
 oth vowing to one day bring their stolen cousin home.\n\nThis quietly po
 werful film plays out in a non-linear structure that shifts perspectives
  between the three cousins at different stages of their lives across mul
 tiple decades. Notably\, this is only the third feature film to be writt
 en and directed by Māori women\, which is all the more relevant as Cousi
 ns explores heavy themes of kinship\, identity and institutional assimil
 ation – mirroring the shameful experiences of countless Māori women who 
 have experienced state care throughout history.\n\n\n- 
URL:http://www.anufg.org.au/filminfo/20220407.html#film-4793
SUMMARY:Cousins
LOCATION:ANU Film Group
END:VEVENT
BEGIN:VEVENT
DTEND;VALUE=DATE-TIME:20220408T122900Z
DTSTART;VALUE=DATE-TIME:20220408T093000Z
DTSTAMP;VALUE=DATE-TIME:20220408T093000Z
UID:anufg.org.au/films/4794
DESCRIPTION:Still struggling to cope with the loss of his beloved wife af
 ter two years\, renowned theatre director Yûsuke Kafuku (Hidetoshi Nishi
 jima) accepts an invitation to mount a production of Chekov’s Uncle Vany
 a at a theatre festival in Hiroshima. As tensions between the director a
 nd his arrogant star (Masaki Okada) rise\, Yûsuke finds an outlet for hi
 s past traumas in heartfelt conversations with the introverted young wom
 an (Tôko Miura) who has been appointed to drive him around town. \n\nOsc
 ar-nominated director Ryusuke Hamaguchi brings Haruki Murakami’s short s
 tory to life with a meditative film that is rich\, engrossing and reward
 ing for every second of its 179-minute runtime. The length may purport t
 o put you off\, but there’s a reason so many critics have declared it as
  one of the best films of the year. It even received four Oscar nominati
 ons\, including – in a historic first for a Japanese film – Best Picture
 .\n\n\n- 
URL:http://www.anufg.org.au/filminfo/20220408.html#film-4794
SUMMARY:Drive My Car (Doraibu mai kā)
LOCATION:ANU Film Group
END:VEVENT
BEGIN:VEVENT
DTEND;VALUE=DATE-TIME:20220409T084700Z
DTSTART;VALUE=DATE-TIME:20220409T070000Z
DTSTAMP;VALUE=DATE-TIME:20220409T070000Z
UID:anufg.org.au/films/4795
DESCRIPTION:In the probably-not-too-distant future\, the hottest new piec
 e of tech is a B-Bot: an egg-shaped\, walking\, talking\, social media d
 evice that’s a “Best Friend Out of the Box” for anyone who has one. And 
 everyone has one\, it seems\, except socially-awkward 12-year-old Barney
  (Jack Dylan Grazer). Realising how lonely he is\, Barney’s father (Ed H
 elms) sets out to buy him his own B-Bot\, but instead ends up purchasing
  a “slightly damaged” unit which literally fell off the back of a truck.
 \n\nBarney is initially thrilled at his new toy – which he names Ron (Za
 ch Galifianakis) – but quickly realises that it’s defective. Sensing a k
 indred spirit\, Barney decides to keep Ron and teach him about the world
 \, since the broken B-Bot is unable to connect to the internet.\n\nRon’s
  Gone Wrong follows in the footsteps of such shining examples of animate
 d friendship as The Iron Giant or How to Train Your Dragon to strike jus
 t the right balance of laughs\, spectacle and heart.\n\n\n- 
URL:http://www.anufg.org.au/filminfo/20220409.html#film-4795
SUMMARY:Ron's Gone Wrong
LOCATION:ANU Film Group
END:VEVENT
BEGIN:VEVENT
DTEND;VALUE=DATE-TIME:20220409T120300Z
DTSTART;VALUE=DATE-TIME:20220409T093000Z
DTSTAMP;VALUE=DATE-TIME:20220409T093000Z
UID:anufg.org.au/films/4796
DESCRIPTION:In medieval France\, Marguerite (Jodie Comer) makes the darin
 g and dangerous accusation that squire Jacques Le Gris (Adam Driver) rap
 ed her. And as is the oppressive custom in 14th century Europe\, it fall
 s to her knight husband\, Jean de Carrouges (Matt Damon)\, to settle the
  matter – deemed a property crime\, natch – with his former friend in a 
 battle to the death. Worst of all\, if he loses\, Marguerite will be dee
 med a liar in God’s eyes and burned at the stake.\n\nBased on the true s
 tory of the final judiciary duel held in France\, Ridley Scott’s grippin
 g historical epic depicts the events leading up to the duel in three dis
 tinct chapters\, each reflecting the contradictory perspectives of the t
 hree main characters. To further drive home the point\, each chapter is 
 scripted by a different writer\, making for a fascinating\, daring and t
 hought-provoking narrative.\n\n\n- 
URL:http://www.anufg.org.au/filminfo/20220409.html#film-4796
SUMMARY:The Last Duel
LOCATION:ANU Film Group
END:VEVENT
BEGIN:VEVENT
DTEND;VALUE=DATE-TIME:20220413T111900Z
DTSTART;VALUE=DATE-TIME:20220413T093000Z
DTSTAMP;VALUE=DATE-TIME:20220413T093000Z
UID:anufg.org.au/films/4797
DESCRIPTION:<b>PRESENTED IN PARTNERSHIP WITH THE EMBASSY OF FRANCE</b>\n\
 nIn the pantheon of great French leaders\, Charles de Gaulle can often b
 e found near the top of the list – usually just behind Napoleon – but ba
 fflingly has not received the big-screen treatment until now. This insig
 htful biopic depicts a crucial period in de Gaulle’s life\, beginning in
  May 1940 when the French army falls to the Nazis and Hitler seizes Pari
 s. The panicked government considers accepting defeat\, but recently pro
 moted two-star General de Gaulle (Lambert Wilson) has a different idea. 
 \n\nMaking his way to London to ask Winston Churchill for support in fig
 hting back\, de Gaulle sets in motion events that will change the course
  of history forever\, even as he remains torn between his love for his c
 ountry and his family. Meanwhile\, with the enemy closing in\, his wife 
 (Isabelle Carré) and children embark on an exodus of their own to the Fr
 ench countryside to ensure their survival.\n\n\n- 
URL:http://www.anufg.org.au/filminfo/20220413.html#film-4797
SUMMARY:De Gaulle
LOCATION:ANU Film Group
END:VEVENT
BEGIN:VEVENT
DTEND;VALUE=DATE-TIME:20220414T115500Z
DTSTART;VALUE=DATE-TIME:20220414T093000Z
DTSTAMP;VALUE=DATE-TIME:20220414T093000Z
UID:anufg.org.au/films/4798
DESCRIPTION:Respect explores the remarkable true story that is the first 
 two decades of Aretha Franklin’s (Jennifer Hudson) life\, as she attempt
 s to find her voice\, control her career and define her own sound. From 
 early beginnings as a child singing in her preacher father’s (Forest Whi
 taker) church choir in the 1950s\, to losing her mother at the age of 10
 \, Franklin’s rise to international music superstardom was arduous\, to 
 put it mildly. Throw in an abusive marriage with a domineering husband (
 Marlon Wayans) and it’s almost impossible to believe that Franklin’s tra
 nscendent music was ever heard.\n\nThe long-in-development film admitted
 ly ticks all the requisite boxes for a standard-issue biopic\, but Hudso
 n’s electrifying performance elevates everything and everyone around her
 . If any part of this film should command respect\, it’s her.\n\n\n- 
URL:http://www.anufg.org.au/filminfo/20220414.html#film-4798
SUMMARY:Respect
LOCATION:ANU Film Group
END:VEVENT
BEGIN:VEVENT
DTEND;VALUE=DATE-TIME:20220419T111300Z
DTSTART;VALUE=DATE-TIME:20220419T093000Z
DTSTAMP;VALUE=DATE-TIME:20220419T093000Z
UID:anufg.org.au/films/4799
DESCRIPTION:It’s 1975 and a nameless fugitive (Zhang Yi) has just escaped
  from a labour camp in the middle of a desert in Northwestern China. He 
 wanders into the first village he can find\, desperate to catch a screen
 ing of the 1964 propaganda film\, “Heroic Sons and Daughters”\, believin
 g it might contain footage of his long-estranged teenage daughter.\n\nBu
 t he’s too late: that night’s screening is over and the travelling proje
 ctionist (Fan Wei) is already loading up the reels en route to his next 
 destination. Unfortunately for him\, the fugitive isn’t the only one aft
 er the film: an impoverished orphan girl named Liu (Liu Haocun) wants th
 e celluloid for a lamp she’s making for her bedridden brother.\n\nWhat f
 ollows is an enduring\, universal fable about the transformative power o
 f cinema as the three jostle for possession of one precious reel\, in a 
 return to the classic\, grand storytelling of director Zhang Yimou’s (He
 ro\, Cliff Walkers) early films.\n\n\n- 
URL:http://www.anufg.org.au/filminfo/20220419.html#film-4799
SUMMARY:One Second (Yi miao zhong)
LOCATION:ANU Film Group
END:VEVENT
BEGIN:VEVENT
DTEND;VALUE=DATE-TIME:20220421T113800Z
DTSTART;VALUE=DATE-TIME:20220421T093000Z
DTSTAMP;VALUE=DATE-TIME:20220421T093000Z
UID:anufg.org.au/films/4800
DESCRIPTION:<b>PRESENTED IN PARTNERSHIP WITH THE ROYAL NORWEGIAN EMBASSY<
 /b>\n\nAs Julie (Renate Reinsve) approaches 30\, her life is an existent
 ial mess. She’s still struggling to find her career path and her older b
 oyfriend\, Aksel (Anders Danielsen Lie) – a successful graphic novelist 
 – is pushing for them to settle down. It’s not long before she has broke
 n up with Aksel and thrown herself into yet another new relationship wit
 h the young\, charming Eivind (Herbert Nordrum)\, hoping that he is the 
 one. But is he the one? Can you ever truly be sure?\n\nChronicling four 
 years in Julie’s life as told across 12 chapters\, this gloriously begui
 ling film is ostensibly a coming-of-age romantic drama\, but one done so
  well that you have no choice but to sit up and take notice. Reinsve\, i
 n particular\, is a revelation and was rightfully honoured with Best Act
 ress at the Cannes Film Festival. The film itself has been similarly lau
 ded with awards along with two Oscar nominations\, for Best Internationa
 l Film and Best Original Screenplay.\n\n\n- 
URL:http://www.anufg.org.au/filminfo/20220421.html#film-4800
SUMMARY:The Worst Person in the World (Verdens verste menneske)
LOCATION:ANU Film Group
END:VEVENT
BEGIN:VEVENT
DTEND;VALUE=DATE-TIME:20220422T120000Z
DTSTART;VALUE=DATE-TIME:20220422T093000Z
DTSTAMP;VALUE=DATE-TIME:20220422T093000Z
UID:anufg.org.au/films/4801
DESCRIPTION:In 1939\, charismatic drifter Stanton Carlisle (Bradley Coope
 r) sets fire to his house and begins his life anew\, taking up a job at 
 a travelling carnival where he learns the secrets of mentalism. Running 
 away to the big city with fellow carny Molly (Rooney Mara) and using his
  newly acquired tricks of the trade\, he reinvents himself as a psychic 
 known as ‘The Great Stanton’ in an effort to con the unsuspecting and we
 althy elite of New York society. It all goes well\, until a formidable p
 sychiatrist (Cate Blanchett) sees through their act and ups the ante by 
 proposing a dangerous scheme to swindle a powerful tycoon (Richard Jenki
 ns).\n\nAs one would expect from the director of films like The Shape of
  Water and Pan’s Labyrinth\, Nightmare Alley is a deeply cinematic\, gor
 geous film that is positively dripping in genre and pulpy\, noir atmosph
 ere. Deservingly nominated for four Oscars in 2022\, including Best Pict
 ure.\n\n\n- 
URL:http://www.anufg.org.au/filminfo/20220422.html#film-4801
SUMMARY:Nightmare Alley
LOCATION:ANU Film Group
END:VEVENT
BEGIN:VEVENT
DTEND;VALUE=DATE-TIME:20220423T081000Z
DTSTART;VALUE=DATE-TIME:20220423T070000Z
DTSTAMP;VALUE=DATE-TIME:20220423T070000Z
UID:anufg.org.au/films/4802
DESCRIPTION:Join us in revisiting one of Walt Disney’s most indelible and
  endearing films\, Bambi\, as it celebrates its landmark 80th anniversar
 y. \n\nIn this animated classic\, all the animals of the forest are exci
 ted by the birth of a new buck fawn named Bambi\, who is set to inherit 
 the title of prince of the forest. With the help of his mother and new f
 riends – a loveable rabbit named Thumper and a bashful skunk named Flowe
 r – the young prince must learn valuable lessons about love\, loss and l
 ife.\n\nElegantly and painstakingly drawn by hand over a period of two y
 ears\, the film is widely considered one of the greatest animated films 
 ever made. Rumour even has it that Bambi is next up on the Disney remake
  carousel\, destined to be the recipient of a new\, photorealistic compu
 ter animated version a la The Lion King (2019) and The Jungle Book (2016
 ).\n\n\n- 
URL:http://www.anufg.org.au/filminfo/20220423.html#film-4802
SUMMARY:Bambi
LOCATION:ANU Film Group
END:VEVENT
BEGIN:VEVENT
DTEND;VALUE=DATE-TIME:20220423T113700Z
DTSTART;VALUE=DATE-TIME:20220423T093000Z
DTSTAMP;VALUE=DATE-TIME:20220423T093000Z
UID:anufg.org.au/films/4803
DESCRIPTION:[This is a No Guests screening]\n\nWhen a picture-perfect cou
 ple’s idyllic honeymoon is tragically cut short\, Belgian sleuth Hercule
  Poirot’s (Kenneth Branagh) Egyptian vacation aboard a glamorous river s
 teamer turns into a terrifying search for a murderer. Set against an epi
 c landscape of sweeping desert vistas and the majestic Giza pyramids\, t
 his tale of unbridled passion and consequences features an all-star cast
  of travellers\, with enough wicked twists and turns to leave you guessi
 ng until the final\, shocking denouement.\n\nBased on Agatha Christie’s 
 1937 novel\, Death on the Nile reunites the filmmaking team behind 2017’
 s Murder on the Orient Express\, including Branagh once again pulling do
 uble duty as director. This time around\, he’s joined by the likes of Ga
 l Gadot\, Armie Hamer\, Annette Bening\, Russell Brand\, Dawn French and
  Jennifer Saunders as our company of victims/suspects. Although the real
  mystery should be why people keep getting on transportation with Poirot
 ...\n\n- 
URL:http://www.anufg.org.au/filminfo/20220423.html#film-4803
SUMMARY:Death on the Nile
LOCATION:ANU Film Group
END:VEVENT
BEGIN:VEVENT
DTEND;VALUE=DATE-TIME:20220427T105900Z
DTSTART;VALUE=DATE-TIME:20220427T093000Z
DTSTAMP;VALUE=DATE-TIME:20220427T093000Z
UID:anufg.org.au/films/4804
DESCRIPTION:<b>PRESENTED IN PARTNERSHIP WITH ANU LAW REFORM AND SOCIAL JU
 STICE</b>\n\nAmin Nawabi is an Afghan refugee who grapples with a painfu
 l secret he has kept hidden for 20 years\, one which now threatens to de
 rail the life he has built for himself and his soon-to-be husband. Revea
 ling his story for the first time to director Jonas Poher Rasmussen\, hi
 s close friend and high school classmate\, Amin recounts the extraordina
 ry journey he undertook in the 1980s as a child refugee from war-torn Ka
 bul to Denmark.\n\nYou may have seen documentaries about extraordinary r
 efugee stories\, but none like this: made with a striking blend of anima
 tion\, intimate interviews between Jonas and Amin\, ‘80s music and archi
 ve footage\, Flee brings an unforgettable story of self-discovery to lif
 e. Winner of over 20 awards\, this loving tribute to a survivor made his
 tory by being the first film ever nominated in the Best International Fi
 lm\, Best Animated Feature and Best Documentary Feature categories at th
 e Oscars.\n\nThis screening will be followed by a panel discussion hoste
 d by ANU Law Reform and Social Justice\, featuring the following speaker
 s:\n• Renee Dixson\, chair of the Forcibly Displaced People Network (FDP
 N)\, an LGBTIQ+ refugee-led organisation\n• Professor Des Manderson\, AN
 U College of Law & Fellow of the Australian Academy of Law\, author of D
 anse Macabre: Temporalities of Law in the Visual Arts (2019)\n• Dr Jessi
 ca Hambly\, Senior Lecturer of Law\, Deputy Director of Law Reform and S
 ocial Justice\, expert in refugee law\n\n\n- 
URL:http://www.anufg.org.au/filminfo/20220427.html#film-4804
SUMMARY:Flee (Flugt)
LOCATION:ANU Film Group
END:VEVENT
BEGIN:VEVENT
DTEND;VALUE=DATE-TIME:20220428T112400Z
DTSTART;VALUE=DATE-TIME:20220428T093000Z
DTSTAMP;VALUE=DATE-TIME:20220428T093000Z
UID:anufg.org.au/films/4805
DESCRIPTION:When her estranged sister becomes the first victim of a new G
 hostface killer\, Sam (Melissa Barrera) and her boyfriend Richie (Jack Q
 uaid) head to the quiet town of Woodsboro – where Ghostface first began 
 his rampage 25 years earlier – to seek answers. Aiding them in their eff
 ort to stay one step ahead of the masked murderer are the only people th
 at have survived his killing spree: Dewey Riley (David Arquette)\, Gale 
 Weathers (Courteney Cox) and Sidney Prescott (Neve Campbell)\, who all f
 ind themselves inexorably drawn back into the fray once again.\n\nThis c
 onfusingly-titled film is the fifth in the series\, and the first not to
  be directed by Wes Craven following his death in 2015. But it’s better 
 than ever in the hands of incoming directors Matt Bettinelli-Olpin and T
 yler Gillett (Ready or Not)\, who craft a fast\, funny and ferociously c
 lever ‘re-quel’ that we didn’t even know we needed.\n\n\n- 
URL:http://www.anufg.org.au/filminfo/20220428.html#film-4805
SUMMARY:Scream
LOCATION:ANU Film Group
END:VEVENT
BEGIN:VEVENT
DTEND;VALUE=DATE-TIME:20220429T122600Z
DTSTART;VALUE=DATE-TIME:20220429T093000Z
DTSTAMP;VALUE=DATE-TIME:20220429T093000Z
UID:anufg.org.au/films/4806
DESCRIPTION:[This is a No Guests screening]\n\nStill learning the ropes i
 n his second year of fighting crime\, a young Batman (Robert Pattinson) 
 is on a mission to uncover corruption in Gotham City that could be conne
 cted to his own family. But he is forced to make new allies – including 
 cat burglar Selina Kyle (Zoë Kravitz) – when his crimefighting efforts a
 re hindered by a disfigured crime lord (Colin Farrell) and a vicious ser
 ial killer (Paul Dano) who communicates in riddles.\n\nMatt Reeves (Dawn
  of the Planet of the Apes\, Cloverfield) directs this long-gestating ne
 w take on the Dark Knight which explores Batman’s detective prowess for 
 the first time\, in a welcome difference to previous on-screen iteration
 s of the characther. In fact\, Reeves’ film shares more cinematic DNA in
  common with the works of David Fincher (Se7en\, Zodiac) than the pun-fi
 lled bat-astrophes of its forebears. And at 176 minutes in length\, ther
 e’s plenty to get excited about.\n\n- 
URL:http://www.anufg.org.au/filminfo/20220429.html#film-4806
SUMMARY:The Batman
LOCATION:ANU Film Group
END:VEVENT
BEGIN:VEVENT
DTEND;VALUE=DATE-TIME:20220430T083500Z
DTSTART;VALUE=DATE-TIME:20220430T070000Z
DTSTAMP;VALUE=DATE-TIME:20220430T070000Z
UID:anufg.org.au/films/4807
DESCRIPTION:John (James Norton) is a 35-year-old Belfast window cleaner w
 ho has dedicated his life to bringing up his four-year-old son\, Michael
  (Daniel Lamont)\, after the child’s mother left them soon after giving 
 birth. When John is diagnosed with brain cancer and given only a few mon
 ths left to live\, he sets out to find a new family for Michael\, determ
 ined to shield him from the terrible reality of the situation. But that’
 s all easier said than done as John quickly realises how difficult it is
  to find the perfect family to take on this impossible task.\n\nNowhere 
 Special may sound cloying on paper\, but the tremendous and intimate per
 formances of the two leads lends the film a delicate touch and keeps thi
 ngs from getting too sentimental. Though\, as you may expect\, we recomm
 end you bring along tissues.\n\n\n- 
URL:http://www.anufg.org.au/filminfo/20220430.html#film-4807
SUMMARY:Nowhere Special
LOCATION:ANU Film Group
END:VEVENT
BEGIN:VEVENT
DTEND;VALUE=DATE-TIME:20220430T113600Z
DTSTART;VALUE=DATE-TIME:20220430T093000Z
DTSTAMP;VALUE=DATE-TIME:20220430T093000Z
UID:anufg.org.au/films/4808
DESCRIPTION:The Eyes of Tammy Faye takes an intimate look at the extraord
 inary life of one-of-a-kind American televangelist Tammy Faye Bakker (Je
 ssica Chastain). Rising from humble beginnings during the 1970s and 80s\
 , Tammy and her husband\, Jim Bakker (Andrew Garfield) turned evangelism
  into a lucrative career. Rising through the ranks\, they eventually go 
 on to create the world's largest religious broadcasting network and even
  a Christian theme park. \n\nWhile some criticised the Bakker’s doctrine
  of prosperity through faith\, Tammy Faye was revered for her message of
  love and acceptance for people from all walks of life\, particularly he
 r support of the LGBT community and HIV patients. But beneath all of the
  glamour lay scandal\, financial improprieties and scheming rivals that 
 threaten to topple their carefully constructed empire. \n\nJessica Chast
 ain is riveting in her portrayal of the enigmatic\, larger-than-life Tam
 my Faye – and her eyes.\n\nNominated for two Oscars in 2022\, including 
 Best Actress (Chastain).\n\n\n- 
URL:http://www.anufg.org.au/filminfo/20220430.html#film-4808
SUMMARY:The Eyes of Tammy Faye
LOCATION:ANU Film Group
END:VEVENT
END:VCALENDAR